You can search the videos for particular words, but only the first five results are watchable – there is a slightly hokey in-game reason for this limitation – which forces you to tease out clues. On the computer, there is a database of video clips apparently stolen from the US National Security Agency. In a nice touch, her reflection in the screen remains partially visible throughout, a mirror of your voyeuristic self. A video shows a woman sitting down at her computer, and you take control of the desktop. Including, for example, the aforementioned entries, computer settings or basket and solitaire.Read more: Resident Evil 3 review: A glimpse into post-pandemic fictionĪt the start of the game, you don’t even know what you are looking for. Immersion in the game world is also connected with the game interface, showing the desktop of the laptop, from which we have access to various applications. Sooner or later, we will find access to fragments that are so private and not intended for the eyes of a stranger that the impression will be even deeper. All the while watching, we get the impression that the characters are talking directly to us, which creates the impression of getting to know them. Records are fragments that are usually recorded using a laptop or phone. Thanks to this procedure, the plot in the game is non-linear, because it depends on us when we look at a fragment of a record containing valuable information. As in Her Story, this is done by entering the appropriate keyword that is somehow related to the case or one of the characters. The gameplay in Telling Lies is dedicated to playing a video sequence showing scenes from the personal lives of the characters. Our task is to collect all this into a single whole and understand their connections. To find answers to the questions that torment us, we search the database and, by entering the appropriate keywords, we get access to intimate records from the lives of these four heroes.
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